Until I picked up this book, I had completely forgotten the old-fashioned game of consequences; taking it in turns to write out a boy’s name, a girl’s name, where they met, what he said, what she said and the consequence of their meeting; folding over the paper each time so that nobody could see what had been written before their turn came.
I had never thought about the boy or the girl whose tales – sometimes odd, sometimes funny, sometimes sad – were folded over in discarded scraps of paper, but E M Delafield did, and it made her think of the world she grew up in and of young women whose life stories played out in a way that could be as haphazard and in a world where the only possible – the only acceptable – consequence was the acquisition of a wedding ring.
In this book – beginning with a game of consequences in a nursery – she asks whether there was an alternative.
The answer that she reached was a sad one.
She tells the story of Alex Clare, who is first seen as an insecure and awkward child. Alex is the eldest of her siblings, and she proud of the status she believes that gives her. She is bossy and the children’s nanny is protective of the younger children and critical of Alex.
I found that it wasn’t easy to like Alex, but it was very easy to feel sympathy for her. She lacked the understanding and empathy with others that many people are born with or quickly learn, and it seemed that there was nobody who would guide and teach her.
Alex pushed her sister, Barbara, to ‘tightrope walk’ on the stair rail, and the first consequence of that was that she fell and was lucky not to break her back. The second was that her parents decided that their eldest child was unmanageable, that they had to protect her siblings, and that she must be sent away to school – at a convent in Belgium.
This was possibly the worst thing that could have happened to Alex. She had nobody who would love her, nobody who would give her the guidance that she so desperately needed; and she had no aptitude for making friends. She developed intense crushes on certain other girls, but she was so intense in her affections that even when the other girl was kind there was no real prospect of a true friendship
Alex felt that she was a failure, unable to get anything right or make anyone happy, but she clung on to the hope that one day things would be different
‘It seemed to Alex that when she joined the mysterious ranks of grown-up-people everything would be different. She never doubted that with long dresses and piled-up hair, her whole personality would change, and the meaningless chaos of life reduce itself to some comprehensible solution.’
Of course there was no magical transformation.
Alex ‘came out’ as a debutante and her mother, Lady Isabel, did everything right. She took Alex to the right parties, she made sure that she was beautifully groomed and dressed, she carefully explained what Alex should do in every situation. But Alex had no more empathy, no more understanding, than she had when she was a small child.
‘She was full of preconceived ideas as to that which constituted attractiveness, and in her very ardour to realize the conventional ideal of the day failed entirely to attract.’
She had dance partners, she thought that she was a success, but in time she realised that other girls had much more interest from young men, and that their dance partners would return to them at other functions. Alex’s didn’t do that. She began to doubt herself, her small successes dwindled, and she becomes an unhappy wallflower.
I felt very deeply for Alex as she watched other girls achieve what she most wanted, what she had been quite sure she would have, while she was failing and understanding why. The worst indignity came when a young man took her down to dinner and she found that he had asked her because he wanted to talk about his love for her school-friend; when she went home to bed and desperately prayed that somebody would love her like that one day ….
It seemed that hope was lost, but a holiday romance led to a proposal and an engagement ring for Alex.
Success at last!
After the proposal, it seemed that the romance was over. Alex’s fiance showed no interest in wedding plans and a new life together, though he wpuldtalk at length about himself and his plans for the land he was to inherit. Alex tried to persuade herself that she loved him, but she knew that she was not loved as she hoped to be loved, that she was a means to an end, and she began to fear the prospect of a loveless marriage.
She broke off the engagement.
She thought that she was doing the right thing, she thought she was being brave, but her family was horrified. She hadn’t realised that marriage was the only option for her and that she had thrown away the only chance of success she ever had.
‘Alex almost instinctively uttered the cry that, with successive generations, has passed from appeal to rebellion, then to assertion, and from the defiance of that assertion to a calm statement of facts. “It is my life. Can’t I live my own life?”
“A woman who doesn’t marry and who has eccentric tastes doesn’t have much of a life. I could never bear thinking of it for any of you.”
Alex was rather startled at the sadness in her mother’s voice.
“But, mother, why? Lots of girls don’t marry, and just live at home.”
“As long as there is a home. But things alter, Alex. Your father and I, in the nature of things, can’t go on livin’ for ever, and then this house goes to Cedric. There is no country place, as you know—your great-grandfather sold everything he could lay his hands on, and we none of us have ever had enough ready money to think of buyin’ even a small place in the country.”
“But I thought we were quite rich.”
Lady Isabel flushed delicately.
“We are not exactly poor, but such money as there is mostly came from my father, and there will not be much after my death,” she confessed. “Most of it will be money tied up for Archie, poor little boy, because he is the younger son, and your grandfather thought that was the proper way to arrange it. It was all settled when you were quite little children—in fact, before Pamela was born or thought of—and your father naturally wanted all he could hope to leave to go to Cedric, so that he might be able to live on here, whatever happened.”
“But what about Barbara and me? Wasn’t it rather unfair to want the boys to have everything?”
“Your father said, ‘The girls will marry, of course.’ There will be a certain sum for each of you on your wedding-day, but there’s no question of either of you being able to afford to remain unmarried, and live decently. You won’t have enough to make it possible,” said Lady Isabel very simply.’
That was horribly true, and from this point Alex’s life goes steadily downhill. She then turns to religion and enters a convent, but she was drawn there by a love of the mother superior – an echo of her schoolgirl crushes – and when she moves to a new community, nearly a decade later, Alex realises that she does not have a vocation and must leave.
Back in a world that has changed, where she has never lived independently, where she has never handled money and has no resources at all, she struggles to cope. Her family try to be kind, but Alex is beyond any help that they can give to her ….
‘Consequences’ is a desperately sad story but I had to keep turning the pages because E M Delafield was such a wonderful storyteller and she wrote with lyricism and with clarity. I could never doubt the truth of the characters and their circumstances, and I understood how trapped they were by the strictures of a society that might work for some but could never work for all.
I knew that there could not be a happy ending but I had understand exactly how the story would play out.
I felt the author’s anger, and I knew that it was justified.
What a coincidence, I ‘m reading this book at the moment, so saving your review.
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Reminds me a bit of the themes in the House of Mirth by Edith Wharton.
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What a contrast to the Provincial Lady books for which she is most known. I know that Delafield herself entered a convent for a while. Presumably she drew on her own experiences for that but I don’t know enough about her early life to know how much more of this novel has an autobiographic element.
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Nice review! It’s such a contrast to the Provincial Lady books, isn’t it? I love EMD so much and haven’t read anything by her for a year or two. So many of them have this melancholy, but are brilliantly told.
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I found Consequences so sad.
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Oh, it does indeed sound desperately sad. And quite a reminder of how restricted women’s choices used to be…
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I’ve only read the first Provincial Lady book but I do want to read more by EM Delafield so I’ll definitely think about reading this one. It sounds very different, as well as very sad.
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A brilliant review – I was thinking about this book as Ali was reading it too and although it’s so sad it’s so well done, too.
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