Miss Silver Intervenes by Patricia Wentworth (1943)

The opening of this book – number 6 of the 32 recorded cases of  Miss Maude Silver – is a lovely example of the things that Patricia Wentworth does best.

It is night-time in London, in the early years of the war, and Meade Underwood is wide awake. The cause was a vivid dream of the young man she had fallen in love with after a whirlwind romance calling her, the young man who had been lost at sea just after they had begun to make plans for their future together. Trying to steady herself she began to count the residents of the house where she was staying with her aunt. It was a very old house that had proved impractical and expensive to run in the middle of the twentieth century, and so it had been converted into flats.

Meade was a classic Wentworth heroine, her situation was beautifully drawn, and I found that I was concerned for her and very interested to see how her story would play out. The residents of the house were nicely diverse, I saw a good deal of story potential, and I remembered how very good Patricia Wentworth was at populating her stories with engaging and believable characters. The setting was interesting, and nicely different from the settings of earlier mysteries.

Miss Silver IntervenesMy hopes of a crime story without the usual romance were quickly dashed. Meade was to learn that her young man had survived but that his journey home had been a long one, as he had suffered a serious head injury and lost much of his memory of the few months before. He didn’t remember Meade, but he was drawn to her and pleased that she knew him and was more than ready to help with his recovery.

There was just one complication – and it was pertinent to the crime story. The young lady who occupied a top floor flat in Meade’s house appeared to have a claim on her young man. He couldn’t believe it, she wasn’t the type of girl he would have been involved with, but she seemed to have compelling evidence to support her claim.

I was drawn into that story, but it wasn’t the main event.

Meade didn’t know that her aunt was being blackmailed, or that when she had seen something that made her suspect that her blackmailer was one of her neighbours she had gone to consult a lady detective she had met at a dinner party – Miss Maud Silver.

Miss Silver’s investigation was at a very early stage when she learned that one of the neighbours her client had spoken about had been murdered. She suspected that the blackmail and the murder would be linked, and so she suggested that she became her client’s house guest. That allowed her to meet all of the residents, and she found that there was a lot going on in the different flats.

A married couple was under a great deal of strain. A young woman so wanted to break away from her domineering mother. A young man was keeping a great deal under his hat. An elderly lady who lived along was behaving rather oddly ….

Each of their stories caught my interest.

The human drama was wonderful and the mystery was intriguing. There were many suspects but no obvious solution.

It was lovely to see Miss Silver drawing information out of different people she met. She did particularly well with the cleaning lady, and the set-up of this particular story made me see how effectively she had transferred the skills of her previous career – as a governess – to her new career.

I was pleased to find that the murder case was being investigated by Inspector Lamb and Frank Abbott. The former appears in a few mystery stories of his own that I have yet to read, and I know that the latter reappears in many of Miss Silver’s cases. I was pleased to note that he was able to recall the words of Miss Silver’s beloved Tennyson at exactly the right moment, and I loved the relationship between Miss Silver and the police detectives. They treated each other as professionals who could bring different things to the investigation. The residents told Miss Silver things they would never have told a policewoman ….

The story was entertaining and engaging, there was always something going on, but I have to say that this is not Miss Silver’s finest hour or one of Patricia Wentworth’s best books.

It doesn’t play fair – particularly when Miss Silver goes off on a jaunt and nothing abut it is explained to the reader – and there are a couple of elements of the story that are rather too improbable.

So this is a book to be enjoyed, rather than a book to be analysed.

Now that I’ve finished it I am very curious to learn more about Miss Silver’s next case ….

A Book for Patricia Wentworth Day: Run! (1938)

Patricia Wentworth was a wonderful spinner of stories, and in this book she spins a story of high drama and romantic suspense with a cast of quintessentially English ‘Bright Young Things’.

It’s a confection – no more and no less!

The opening was wonderfully attention-grabbing.

Our hero, James, worked for a high class London car dealership, and he was fetching a new car for an important customer. Thick fog descended as he was driving through unfamiliar country, and it wasn’t long before he had to admit that he was lost. He caught a glimpse of a big house, and so he set off to ask for help.

He didn’t find help, but he did find trouble.

There were no lights on, there was no sign of life, but the front door was ajar. James went in, hoping to find a telephone, but seeing only a girl whose face is white, whose eyes are wide with horror, and who looks as if she is about to scream. She doesn’t, but she yells ‘RUN!’ and before he as time to react he hears sound of a shot and he feels the breeze as a bullet flies past him. James doesn’t need telling twice. He runs, and between them he and the charming but scatty girl manage make their escape.

Back at work in London he ponders on the puzzle of a girl who was clearly terrified, but completely unwilling to explain any part of the reason why to the young man who helped her. He is still thinking when he bumps into her again, and discovers that he went to school with her brother and that they have enough friends in common to make it surprising that they had never met before; though that isn’t enough to make her tell him any more or to stop her from insisting that it is better for him not to know and that he should stay away from her.

Sally has good reason to be scared, and for speaking and acting as she does, because she is an heiress, someone is after her inheritance and willing to go to any lengths to get their hands on it, and she fears that even her beloved guardian is involved. James won’t be told though, because he is very taken with Sally and because, when one of his colleagues has what looks like a nasty accident, he realizes that whoever fired that gun is trying to get him out of the way too.

There is much intrigue – and a good dash of romance – before a grand finale back at the country house where the story began.

There were moments in the early part of the story, when James didn’t know what was going on and Sally wasn’t going to tell him, when I wished that Miss Silver would put in an appearance. She would have had no trouble working out what was going on and sorting everything out, but of course that would have made this a very short book and it wasn’t long at all before I felt very fond of both James and Sally.

The perspective with James as the protagonist who was concerned about Sally was interesting, particularly when I had figured out what was going; but I think that Patricia Wentworth does best with female protagonists, and while he was eminently likeable he wasn’t as interesting as many of the young women I have met in her books.

(And that reminds me to say the young woman on the cover and what she is doing bear no relation at all to this story.)

I loved the young lady who worked at James’s car dealership, and I couldn’t help thinking that if Miss Silver ever wanted to hire an assistant they would work together rather well.

It wasn’t at all difficult to identify the villains and to understand their motives, and that made me realize what a terrible situation Sally was in and why it was quite reasonable for her to act what she did.

The building blocks of the story were all ones I’d come across before, but the structure that they built was sound. The story was entertaining, it was engaging, and it was suspenseful to the very end.

There was a certain amount of silliness and much that was a little too unlikely – especially towards the end of the story – but there was enough substance and enough intrigue to keep me turning the pages to the very end.

Patricia Wentworth wrote much better books –  of the books I’ve read, Danger Point/In the Balance is my favourite investigation with Miss Silver and Kingdom Lost is my favourite stand-alone story – but I did enjoy my time with this confection of romance and suspense.

The Chinese Shawl by Patricia Wentworth (1943)

This story  begins – as do many of the stories from Miss Silver’s casebook – with a young woman who is not quite as secure, not quite as sure of her position, as she would like to be.

Laura Fane was an orphan who would be coming into a significant inheritence on her 21st birthday, and as that day was drawing near she had to travelled to London, to visit the family solicitor.

I loved Laura from the start. She had grown up in a quiet country home but she loved the ‘bubbles’ and ‘glitter’ of London that she discovered with her cousins and their friends. She had the confidence to make her own decisions and express her feelings and opinions, and she had the grace to want others to understand and be happy.

Laura knew that coming into her inheritance  would force her to deal with a tricky family situation.

Her father had jilted a cousin to marry her mother after a whirlwind romance. The jilted woman had never married, and she continued to live in the family’s country house that Laura owed but had never seen. She was wealthy and wanted to buy the house so that she could leave it to the orphaned niece she had raised; but Laura wasn’t at all sure that she wanted to sell the home that was one of the few links she had with her parents, sight unseen!

Tanis Grey, that orphaned niece was the dark to Laura’s light. She was a young, charming and utterly irrestible femme fatale. I found her a little less convincing as a character than Laura, and I couldn’t quite believe that she wreeked the havoc that she did, but I understood the kind of woman she was very well.

When she was invited to a house party at her own country home, Laura had mixed emotions. She wanted to see the house but she wasn’t at all sure that she wanted her first visit to be in a party at somebody else’s invitation; and she knew that it would uncomfortable that her hostess would want an answer to a question that she would be either unready or unable to give.

Laura did go to the party, she fell in love with the house, and she found herself at the centre of a murder mystery when the Chinese shawl that she had inherited from her mother was used to silence a gun. She was the prime suspect, and she was horribly aware that she might have been the intended victim.

The story  twisted and turned beautifully, and I was completely caught up in it alongside Laura. Even though I knew that Patricia Wentworth always looks after her heroines, there was a real sense of jeopardy because she is so good at holding her reader in the moment.

She is also very good at clothes, and she was able to use that talent to the full in this book. Houses and furnishings were just as well done and I know that I would recognise Laura’s family home and all of the party guests if I was taken there.

Miss Silver was one of those guests, invited because she was an old friend of one of the older members of the family. She wasn’t asked to investigate the mystery, but of course she was concerned, she asked questions, she watched carefully, and she was ready to do whatever she could to help.

She identified the murderer and so did I; but she the evidence led her to her conclusion whereas instinct and my knowledge of Miss Silver’s earlier cases led me to mine. That didn’t matter, because I don’t read Patricia Wentworth’s books for clever plotting and surprising outcomes, I read them to be caught up in a mystery alongside a lovely heroine.

I enjoyed the inevitable romance in this book, and I particularly loved the dash of the gothic in this one.

The psychology underpinning this story isn’t as interesting as it was in the previous Miss Silver book, but it is interesting; and there was more than enough that was right about this book – and not much at all that was wrong – allowing me to say that it is among my favourites to date and that I am eager to read more.

Kingdom Lost by Patricia Wentworth (1930)

I had intended to make steady progress through Patricia Wentworth’ Miss Silver mysteries, but I was distracted from that plan when one of her stand-alone novels caught my eye. It sounded quite unlike any of her other books that I’ve read, it sounded a little like a certain other book that I loved, and it sounded far too good to resist.

It sits somewhere between a golden age mystery and romantic suspense, and I would say that the vintage cover that proclaimed it as a ‘romantic adventure’ got it about right.

What I want to say is that this is the story of the most spirited and engaging heroine you could ever hope to meet.

Valentine Ryven was born on an ocean liner and she was shipwrecked on a small island in the South Seas not very much later. She was picked up and carried to safety by Edward Bowden, a distinguished scholar taking long and rambling holiday after working much too hard.

Edward was wonderfully resourceful, salvaging a great deal from the wrecked liner and harbouring the islands natural resources. He also educated Valentine and brought her up to be ready to take her place in the world he had left behind. He was sure that one day another boat would pass by to rescue them; but he prepared Valentine for the possibility that he might die before that day came.

4449347This story begins some twenty years later, when a young man named Austin Muir came ashore and heard a young woman reciting Matthew Arnold. He was amazed and when Valentine recovered from her initial fright she was thrilled that she was being rescued and that she would have a chance to meet more people and to see so many things that she had only been told about by Edward.

Austin had been sent ashore by his employer, Nicholas Barclay, who had set out to find the island not on any map  that one of his ancestors swore he had discovered.  He was delighted with Austin’s discover, he was charmed by Valentine, and when he saw the papers that Edward had told her to present to her rescuer he knew who she was straight away.

Valentine was the missing heiress to a vast fortune!

Barclay took Valentine home via a Caribbean island, where he bought her clothes, shoes, and all of the other accoutrements a young woman going home to England should have. Valentine was delighted with it all, and she was smitten with the two very different men who were taking her back to her family.

It didn’t occur to Valentine for a minute that her family might not be pleased to see her.

She didn’t know that society had changed a great deal in the years since Edward left England.

Helena Ryven – Valentine’s aunt – was very correct and proper. That was a shock to the warm- hearted Valentine, who had been so looking forward to having a family she was sure she would love and would love her back.

She thought that the problem might be that she was disinheriting Helen’s son, Eustace, and so she offered him as much of the estate as he wanted. She explained that she needed very little to be happy, that all she needed was food and shelter and the lovely countryside around her. Her offer was rejected out of hand!

When she saw the wonderful work that Eustace was doing, restoring run down properties and looking after poor families in the East End of London, she knew that she had to find a way for him to carry on. She realised that the answer was simple – she and Eustace should be married and then everything that was hers would be his.

She loved Austin but he had rejected her – explaining that their family backgrounds. She didn’t understand but he stood firm, and after that it really didn’t matter who she married.

Her proposal was accepted.

Valentine tried to be happy but she couldn’t.

She loved the warm family home of Aunt Helena’s elder sister, Ida Cobb. She loved spending time in the country cottage where Aunt Helena’s younger brother, Timothy Brand, lived with his soon to be married half-sister, Lil. But she knew that Aunt Helena – a knitter who thought that wool-winding was an excellent occupation for her niece – would never understand her, and that she would never quite understand Aunt Helena. She also began to suspect that Eustace wanted to marry another woman, and that he was marrying her from a sense of duty.

She could never quite fit into the role life had given her.

As the wedding day drew nearer she knew that she couldn’t go through with it, but she wasn’t sure how to get out of it.

And one or two things happened that made her think she was in danger ….

I found so much to love in this book.

Patricia Wentworth is always good at clothes and in this book she must have had a lovely time writing about the joy Valentine found in so many lovely things in her new world.

She understood Valentine so well; and she created a wonderfully diverse band of characters to populate her world.

Eustace’s work in London gave the story just enough serious underpinning.

And I should say that ‘Kingdom Lost’ was not so like that certain other book – ‘Miss Ranskill Comes Home’ by Barbara Euphan Todd. They had similar beginnings, they had some themes and ideas in common, but the two heroines and their stories are different and distinctive.

I loved – and can recommend – both!

This particular story was improbable but it was so engaging; it rang true logically and emotionally.

I really didn’t know how the it would play out, and I so wanted to know, I was so concerned for Valentine, that I had to turn the pages very quickly.

There was romance, but I couldn’t even predict how that would play out.

Some might consider the twist at the end of the story to be a little too convenient, but I loved that it had the roots in the very first pages of the book, and it made me realise that Patricia Wentworth had plotted very cleverly.

Most of all, I loved spending time with Valentine.

I’m thinking now that maybe I should alternate Miss Silver books and Patricia Wentworth’s other stories ….

Danger Point – or, In The Balance – by Patricia Wentworth (1941)

I realised that it was a long, long time since I had investigated a mystery with Miss Silver. The delay was partly because I was wonderfully distracted by lots of Patricia Wentworth’s other books being sent back out into the world; but it was also because after loving books one and two I was rather disappointed in book three. I reached the point when I realised that it was time to try book four, and I am so glad that I did. It’s my favourite Miss Silver book to date.

The story begins on a train, with Miss Silver travelling back to London after a seaside holiday. An attractive young woman – clearly in a state of shock – rushes into the compartment. Miss Silver is concerned and she very tactfully begins a conversation; her companion responds, thinking that Miss Silver is rather like her old governess.

Lisle Jerningham was a wealthy young woman with a brand new husband, and she was terribly afraid that he was going to kill her. She had just overheard  a conversation that suggested that husband’s first wife died of an accident, that that money she left him had saved his family home. Now he had run out of money again, he had acquired another wife with money, and maybe she would have an accident too …

12114131When the train reached London Miss Silver pressed one of her business cards into Lisle’s hand, and said that she should call if there was ever anything at all she might do to help.

Lisle felt terribly alone. She was American and she had no family or friends of her own in England. Her money was managed by a trustee and she knew that Dale, her husband, was unhappy that he wouldn’t produce the funds that he needed to save the family home. He said that if Lisle was only a little more persuasive he would have the money and everything would be alright, but that she really didn’t understand how important it was. She didn’t understand, but she had tried for her husband’s sake.

The only person who seemed to care about her was Dale’s cousin Rafe, but Rafe was charming to everyone and so she could never be sure that he really was her fiend. She knew that Dale’s other cousin, Alicia, whose rich, titled husband died in an accident at about the same time that Dale’s first wife hated her. Dale and Alicia had been expected to marry, and she wondered if maybe they would when they had the money to secure the future of the family home that they both loved.

Lisle had already had one accident – she had nearly drowned – and she would have others.

A young woman was found head at the foot of a cliff, and a young man was charged with her murder. It seemed to be an open-and-shut case, but Lisle feared that it wasn’t.

A newspaper report about the trial caught Miss Silver’s eye, she realised that it was very close to the young woman she had met on the train, and she decided that she had to investigate. She knew the local policeman from her days as a teacher – he had been one of her pupils – and so she asked him to recommend a local boarding house, and she told him a little of what Lisle had told her.

It was lucky that she did, because Lisle really was in terrible danger.

I found a great deal to like in this book.

Lisle was more damsel in distress than heroine, but I understood the difficulty of the position she found herself in; with nobody outside the family circle to turn to, and not know who inside the family circle she might trust. I appreciated that she was young and inexperienced, that she coped with a great deal and that she found some courage when she most needed it.

I was inclined to like her, and I found it easy to understand why she thought and acted as she did.

I loved the echoes of Daphne Du Maurier’s ‘Rebecca’ in Lisle’s situation; and the echoes of Agatha Christie’s Miss Marple in Miss Silver’s relationship with ‘her’ policeman.

The details of characters, clothes and settings were so well drawn, as they always are in Patricia Wentworth’s books, making this a lovely period piece.

I continue to be impressed with Miss Silver’s knitting speed and prowess, and in this book I learned that she can crochet too!

The dialogues between Lisle and Dale as he tried to make her understand why his family home was so important, and she stood her ground because she knew there were other things that mattered more, were wonderfully well done.

The playing out of the story was so dramatic – a lovely mixture of the sensation novel and the golden age crime novel – and I was on the edge of my seat until the very end of the story.

The ending that she chose made me realise that Patricia Wentworth had understood the psychology of her subject matter perfectly.

The is definitely Miss Silver’s best case to date – though she wasn’t at the centre of the story she did have an important role to play – and it won’t be too long until I move on to the next one.

Silence in Court by Patricia Wentworth (1945)

I hadn’t investigated a mystery with Miss Silver for ages, I was thinking that it was time I did, but I was wonderfully distracted when I learned that lots of her other books were being sent back out into the world.

More mysteries! I had to investigate!

An excellent introduction told me a little more about Patricia Wentworth, and it told me that she wrote standalone mysteries, that some of them had recurring characters, and that one or two of those characters appeared in Miss Silver stories too.

I was intrigued.

This story stands alone, and it is set in London, in the later years of the war.

“She was so rigidly controlled as she came into the dock that she wasn’t Carey Silence any more, or a girl, or young, but just a will to walk straight and seemly, to hold a proud head high, to bar sight and hearing against all these people who had come to see her tried for her life. There was a moment when the grip she had on herself wavered giddily ….”

Carey Silence was entering the dock on the first day of her trial for the murder of Honoria Maquisten, her grandmother’s cousin and dearest friend. She was scared, she knew the case against her was compelling, and she really didn’t understand how that could be.

Her fear was palpable.

I was drawn in and I was made to care straight away; because Patricia Wentworth was such a good storyteller and so good at creating engaging, likeable and believable characters.

After a first chapter in court the story went back in time, to explain how Carey came to be there.

She had gone to stay with Honoria when she left hospital, after being bombed and left jobless and homeless. They hadn’t met before, because Carey’s grandmother had died when she was very young and there had been family estrangements, but Honoria took to her newly discovered young relation straight away. It seemed that she was just like her grandmother!

Honaria was elderly and frail, but she was undoubtedly head of her household; she had always been – she would always be – formidable and flamboyant.

“What was the good of saying that Cousin Honoria was like the Queen of Sheba and leaving it at that? The Queen of Sheba didn’t wear a vermilion wig dressed about a foot high in several thousand curls.”

She had brought a number of younger relations into her home. There was her nephew Dennis, an RAF pilot who had been invalided out of the War. There was her niece Nora, who had a husband in the Far East and who was employed as the driver of a senior military man. There was another niece, Honor, who packed parcels for POWs and was much less welcoming to Carey than her two cousins. And there was another nephew, Robert, who didn’t live there but visited often.

30075219Honoria kept them all in her thrall, by calling her solicitor in on  regular basis so that she could revise her will ….

It was clear that Carey was a favourite, and that she would be gaining from the revisions.

One day a letter was delivered by hand, and when Honoria read it she was furious and she insisted that her solicitor be sent for immediately. He was away? Then his clerk must come instead! One of the beneficiaries of her will – she didn’t say who, she didn’t give anything away – was to be written out.

But before Honoria could sign that new will she was dead – from an overdose of her regular sleeping draft.

Carey was arrested, because she had fetched the sleeping draft and handed it to Honoria; because there were suggestions that she was going to be written out of the will, because Honoria had discovered more about her new-found relation; and because witness statements – from a long-serving maid and a terribly professional nurse – suggested that she was the only person who had the chance to doctor the sleeping draft.

She had been welcomed into the family, but now she was cast out.

Luckily Carey had one person on her side. Jeff, her American beau, had been away on business but he came back to London as soon as he head what had happened, he made sure that she had a excellent barrister, and he made sure that everything that could be done to find out the truth of the matter was done.

Carey had often found him infuriating, but he proved his worth. Though maybe she was too distracted to appreciate that ….

The second half of the book told the same story as the first half; but as a courtroom drama. It could have been repetitive, but I loved seeing the different characters take the stand to give their own accounts, and going over events again gave me a wonderful opportunity to try to work out what had happened.

I wondered for a while if Carey was unreliable – after all, even murderers can be afraid – but I ruled that out quite quickly. That wasn’t Patricia Wentworth’s way, and Carey was far too likeable. I wondered if a certain character was being particularly duplicitous, but I ruled that out too because of his reactions to certain things. And because the real solution was quite obvious.

This wasn’t the most mysterious – or the most complicated – of mysteries, but the plot was well thought out. There were a few little contrivances, but nothing unreasonable. I read a lovely period piece, an engaging human drama, and a wonderfully readable book.

I saw echoes of other books, but the story as a whole was distinctive – and distinctively Patricia Wentworth.

The characters were very well done, the period setting was just as good, and I think the details of clothes and the like were done as well as Patricia Wentworth always does them, but I was too dazzled by Honoria’s flamboyant style and fabulous collection jewels to take as much notice of other, similar things as I might.

I can say definitively that there was no knitting and nobody went anywhere near the edge of a cliff; that is clearly Miss Silver’s domain. She could have stepped into this book, she and Carey would have got on so well, but the story didn’t need her and I didn’t miss her too much.

But I am looking forward to meeting her again.

I have lots more Miss Silver books to read, and now I have a stack of Patricia Wentworth’s other books to investigate.